10.0? Naturally. 

Daughn Gibson - Tiffany Lou

[Flash 9 is required to listen to audio.]

“Tiffany Lou” by Daughn Gibson // All Hell (2012)

It’s always surprising when I hear something for the first time that feels completely undefinable. Like there are so many potential influences at play that it sounds completely fresh and new. Pitchfork tossed this new track, from Daughn Gibson, a Best New Track tag and it’s absolutely deserving. They go on to site country and hip hop influences, but they seem to be missing the narcotic psych pop and dream pop sounds. Like Odelay-era Beck, Scott Walker, Dirty Beaches, Matthew Dear, and Nick Cave all spilled DNA on an old piece of vinyl and this is what came forth. It’s an absolutely captivating trip and I am all over Gibson’s new album “All Hell” because of this one track. It’s magical. Highest recommendation. 

Beck - I Only Have Eyes For You

[Flash 9 is required to listen to audio.]

“I Only Have Eyes For You” by Beck // Originally by Harry Warren & Al Dubin

There are songs from the past that just never age. “I Only Have Eyes for You” is one of those songs for me. It was originally recorded in 1934, but found like again in 50’s and 60’s through covers from Peggy Lee and later The Flamingos (the most popular version). In the late 90’s it was featured in one of my personal favorite episodes of Joss Whedon’s “Buffy the Vampire Slayer” and now it’s being featured in Doug Aitken “Song 1” art installation for the Hirshhorn Museum in which he’s asked 6 artists to contribute covers of the song. Beck, being the most notable of those artists (others inclube No Age, Devendra Banhart, and High Places), also turns in the most traditional, and in turn, gorgeous, cover. Give it a spin (or head over to Pitchfork to hear all six) and get lost in the haunting, gorgeous, doo wop, pop gem that still feels fresh, but also lost in time. Highest recommendation. 

REAL ESTATE // PITCHFORK +1

As part of Pitchfork’s new collaboration with Youtube, they brought the cameras out to an alternative-venue show that featured Real Estate playing tracks from last year’s excellent Days. Here you’ll see the band sample some jams while intercut with interview footage from the Chinese buffet that is housing the show. 

Radiohead - Everybody Knows (1986 On a Friday Demo)

[Flash 9 is required to listen to audio.]

“Everybody Knows” by Radiohead // On a Friday Demos (1986)

Pitchfork and a slew of other sites are reporting the finding of two new songs thought to be lost from the On a Friday demos from Radiohead before they were Radiohead and before Jonny Greenwood came to the band. This is one of those songs and it’s the one that probably shows the most relation to the band that they would become. It’s really interesting to hear these demos. I’ve had the other On A Friday demos for as long as they’ve been available, but I have to say that something about this track’s mid 80’s somber, modern rock sound makes me dig it like crazy. Sure, it’s rough as all hell and bares little resemblance to the sounds that my favorite band would go on to create, but everyone starts somewhere and if this is a tossed off demo, then it makes perfect sense that they became one of the most beloved bands of all time, because this is still pretty goddamned great. 

“Green Aisles” by Real Estate /// Take Away Show /// Pitchfork Festival Paris

I haven’t kept up with the Take Away Shows recently, but this recent batch from Pitchfork’s Paris Fest are pretty incredible. This video captures Real Estate playing one of the best songs from their excellent new album, Days, on an overgrown railroad line, while substituting rocks on steel for traditional percussion. It’s a wonderful, subtle performance that must be seen. Absolutely gorgeous. 

A Place to Bury Strangers - So Far Away

[Flash 9 is required to listen to audio.]

“So Far Away” by A Place to Bury Strangers // Onwards to the Wall (2012)

It’s been a while since I’ve been bombarded by intensity of new A Place to Bury Strangers, but luckily they’re on their way back with a new EP due to be released in February. Pitchfork has the first listen to one of those new tracks. “So Far Away” isn’t the intense noise of their earlier material, but the drone, shoegaze, and noise pop influences are all still very noteworthy. It’s definitely worth a listen. 

(download) “So Far Away” by A Place to Bury Strangers (via Pitchfork)

“HONEY BUNNY” by Girls // Pitchfork Special Presentation

Pitchfork got Girls to perform in an abandoned church in Brooklyn with a full backing band and recorded it for your listening and viewing pleasure. Here is the sassy-as-all-fuck “Honey Bunny” from the remarkable new album “Father, Son, Holy Ghost”. Good stuff. 

RADIOHEAD heading back into studio!

Thom Yorke is saying that the band is heading back into the studio in December to start work on new music. Hot damn. I love it when they have quick turnaround between albums. He also had this to say:

“It would be fun to have them ready when we go to play next year. I don’t know how we would release them. It would be nice to make it all part of the flow and just enjoy it – not think about it too much.” 

Check out the rest of the story over at Pitchfork & Rolling Stone

Suicide Dream 2 (Elite Gymanstics Baptism" by How to Dress Well - 

[Flash 9 is required to listen to audio.]

“Suicide Dream 2 (Elite Gymnastics Baptism)” by How to Dress Well 

How to Dress Well’s recent reworking of Elite Gymnastics“Here, In Heaven” was a tremendous bit of music, almost hymnal in it’s beauty. Here, Elite Gymnastics returns the favor by reworking HTDW’s brilliant “Suicide Dream 2” into a more beat heavy, almost jungle sound. It’s a cool sound. Not exactly my preference in the scheme of things (I’m a die-hard fan of the work of How to Dress Well) but Elite Gymnastics does wonders with a beat. 

(download) “Suicide Dream 2 (Elite Gymnastic Baptism)” by How to Dress Well

Blouse - Time Travel

[Flash 9 is required to listen to audio.]

“Time Travel” by Blouse // Blouse (2011)

Blouse has been batting a thousand as of late with a stream of brilliant, gorgeous digital singles. Each one seemingly more dreamy and lush than the last. This time around, they return with a track off of their forthcoming self-titled album, and it’s a darker, more menacing cut that fits firmly in the season. In fact, there’s such an ominous synth line running throughout that this track would be an excellent addition to any Halloween mixtape. If this is evidence of the excellence that awaits the full length then we are in store for a potential late year entry into the album of the year race. This is stunning post-punk tinged dream pop for a chilly season. 

(release) Blouse - S/T (November 1st, via Captured Tracks)

Twerps - This Guy

[Flash 9 is required to listen to audio.]

“This Guy” by Twerps // Twerps (2011)

Sometimes its the indie pop that sounds like the ticket for some seasonal tunes. This little gem from Australian indie-poppers, Twerps, does just the trick with a jangly riff and some catchy, warm vocals from guitarist, Julia MacFarlane. Feels like the kind of track you’d find on a new mixtape from a special someone, or maybe just something awesome that you made for yourself. You can download it for free from Pitchfork or purchase the whole album when it’s released on October 14th via Underwater Peoples

(download) “This Guy” by Twerps (via P4K)

Tycho - Hours (Teen Daze Remix)

[Flash 9 is required to listen to audio.]

“Hours (Teen Daze Remix)” by Tycho // Dive (2011)

It’s another Indian Summer weekend, so here’s a drifting, shimmering Teen Daze remix of Tycho’s “Hours” to help bring in the days off. Teen Daze can add a lovely layer of dreamy atmospherics to just about anything, and the original had pretty much already covered those bases, so with this remix, you’re pretty much already in gorgeous, audio heaven. Download and play on repeat. 

(download) “Hours (Teen Daze Remix)” by Tycho (via P4k)

Phantogram - Don't Move

[Flash 9 is required to listen to audio.]

“Don’t Move” by Phantogram // Nightlife (2011) 

Phantogram are back with some of that charming electro-pop, but this time they’ve brought the vibe up a smidge and jettisoned the darker trip hop sounds (that is if this new glimmering single is any indication). It’s a sexy little jam that actually excites me a lot more than I ever was for their debut. Definitely a solid jam worth a couple of listens. 

(download) “Don’t Move” by Phantogram (via Pitchfork) 

A quick and painless rant; or Why Does it Fucking Matter?

Reading Pitchfork’s article, “The Imagination of Lana Del Rey”, as well as random blog bickering about her since her track “Video Games” hit, I’ve been quietly annoyed as to why anyone in this day and age would spend any amount of time bitching about the authenticity of a musician’s “persona” or “packaging”? We live in a world where you can sell yourself as anything you want. It’s all imagination these days, especially in blog-buzz-music-land. Does it really matter if she made up this persona and changed the way she looked? Does it really matter if you believe the constant stream of bullshit that Dom spouts out whenever you put a microphone anywhere near his face? Or what about Christopher Owens? Or The White Stripes? Or any other artist who’s used an aura of mystery and or pre-hype mythology to build awareness around themselves?

None of it matters. What matters is if the music moves you. If it doesn’t, then move along to the next artist who deserves your support. It shouldn’t matter if the girl has three artificial heads and giant fake tits that shoot flames as she claims to be a real life fire breathing three headed dragon. If her music is worth a shit, then talk about that - leave the package out of it. People want to bitch about how creating this persona or that persona is akin to being a Spice Girl or a Katy Perry, when fine, stop talking about it, and it won’t be the case. The only thing that really annoys me is that any reputable news or music source spends any amount of time decoding the mystery of “Lana Del Rey” or whoever was before or comes next, instead of trying to offer up some well needed support of up and coming bands that are having a hard time being heard. 

There is no lack of talent in the world. In fact, there are countless brilliant, amazingly talented bands and individuals (just spend an hour on Bandcamp) who are not getting the attention that they deserve because people would rather fight about the authenticity of a musician with a better PR camp. I just wish that instead of seeing these major publications waste time debating what qualifies as “hipster”, or if this musician is real or fake, that they offered a better forum for seeking out and breaking bands that are in need of a little extra attention. Or perhaps they should all just create a made up identity and get a new face and stuff their bras or crotches and claim to be an escaped cult leaders daughter/son who rode the rails on old freight trains learning to play instruments from hobos and the spirits of old Hollywood or Nashville or whatever fucking mythology they choose to obsess over. Maybe that’ll get them the 1200 words from Pitchfork or Stereogum or Rolling Stone that will help them sell those extra tickets to that dive bar they’re playing in Brooklyn next week. Or maybe we could just ignore the bullshit and be less cynical and enjoy something because it makes us feel good as opposed to making our dicks hard because their PR backstory is too good to be true. Spoiler Alert: It is. 

Thanks and sorry to let that out here. I just got a little annoyed. I’ll shut up now and get back to my corner with my dunce cap. Just pretend I’m not really here.